Hiroshima native Junya Sakino was first drawn to filmmaking when he was a 19-year-old tourist on a visit to Universal Studios. (MIKEY HIRANO CULROSS/Rafu Shimpo)

Rafu Arts & Entertainment Editor

His film enjoyed an enthusiastic reception when it premiered at South by Southwest, and more warm fuzzies in New York, yet Junya Sakino admitted to being nervous about its debut in Los Angeles.

“I’m a little anxious; this is my home, with all my friends,” he confided.

Sakino’s first feature, “Sake-Bomb,” will have its first L.A. screening this Saturday, as part of the 2013 Los Angeles Asian Pacific Film Festival. It is a crowning moment for the 32-year-old native of Hiroshima, whose life took an unexpected turn 13 years ago, when he visited the U.S. as a passive tourist.

“I didn’t really watch a lot of movies as a kid,” he explained two weeks ago, at a reception to open the festival. “When I was 19, I visited Universal Studios. When I took the studio tour, I was pretty much blown away by the experience, and ever since then, I watch a lot of movies.”

Two years later, Sakino made the decision to call L.A. home, and to dive headlong into the cinematic arts. He said the timing couldn’t have been better, as the technology of filmmaking was undergoing vast changes, allowing far greater numbers of artists to afford to actually produce a movie.

“Back in the old days, you’d have to have a lot of money to make a film, for equipment, actors, and everything else,” he said. “Now, with the digital technology we have, it’s a kind of revolution. If you have a good story, good actors and a pretty reasonable camera, you can make a film inexpensively. I feel privileged to be in the industry at this time, when we have those resources that I could use to make my first feature.”

For much of Hollywood history, simply managing to complete and deliver a feature would garner a fair amount of attention, as well as a decent chance at distribution. There are scores of movies shot quickly and cheaply – sometimes in a single day – with the express goal of getting it into theaters regardless of its quality … Ed Wood could tell you all about it.

In this age of YouTube and high-resolution cameras built into mobile phones, however, the film’s content is almost the sole factor in attracting attention.

“I think the challenge now is the fact that there are so many other people making films, that getting your film into the market is getting tougher and tougher,” Sakino explained. “There’s the good and the bad. I think for the independent filmmaker, it’s not necessarily to make a movie just because you can afford a camera, but you have a chance, that’s for sure.”

Sakino said the inspiration for “Sake-Bomb” arose out of a seemingly routine night out for dinner.

Naoto (Gaku Hamada), left, and Sebastian (Eugene Kim) are an unlikely pairing in “Sake-Bomb.”

“The first time I went to a sushi bar in Los Angeles, I saw people drinking sake bombs – you know, a shot glass of sake dropped into a glass of beer – and that was something I’d never seen in Japan. They thought it was from Japanese culture, which I thought was fascinating. That’s how the idea got stuck in my head and then I started brainstorming.”

The story Sakino brainstormed involves the somewhat awkward pairing of an young Asian American man and his Japanese cousin, who embark on a road trip with a somewhat precarious goal. Traveling the road to Northern California, the once-disconnected relatives are confronted with the inevitable culture clash, as well as a host of characters along the way. The feature stars Eugene Kim and rising Japanese star Gaku Hamada, who is in seven films this year alone.

“What if a Japanese guy comes to America, meets a Japanese American guy and they go on a road trip? That was the idea, a mixing of Japanese and Western elements, like a sake bomb.”

Sakino said that as a native of Japan, his first realization of the distinction between Japanese culture and an Asian American identity was irresistible.

“There are a lot of basic differences, but what really fascinated me about Asian Americans is that while they might look like me, they are very American,” he explained. “They might look like me, and have Asian culture from their heritage, but it’s more than just speaking English. It’s a kind of shared experience of maybe sometimes being treated like they are foreigners, just based on how they look, when they are completely American.

“The identity issues and questions I found to be interesting. In Japan, I never thought about that kind of issue, and I wanted to explore that aspect of how we are looked at and what it means to be Asian and Asian American.”

“Sake-Bomb” makes its Los Angeles debut at 4 p.m. this Saturday, May 4, at the Directors Guild of America, 7920 Sunset Blvd. in West Hollywood. For tickets or more information, visit asianfilmfestla.org, or call (213) 680-4462.

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