From left: Nobuko Yamazaki, line producer; Bruce R Schwartz, director; Akihiro Ito and Hidehiko Ito, father and brother of Takuma Ito; Josh Escandon and Cliff Thomas, friends of the slain students. (Photo by J.K. Yamamoto/Rafu Shimpo)

By J.K. YAMAMOTO, Rafu Staff Writer

SAN PEDRO — Gunned down in cold blood by a gang member 18 years ago, Takuma Ito and Go Matsuura could have been just another statistic, filed away with the crimes of violence that occur in Los Angeles on a daily basis. But their family and friends, and a filmmaker from their college, refused to let that happen.

Their story is told in “Lives Interrupted,” a feature-length documentary that had its premiere on Oct. 24 at the Warner Grand Theatre in San Pedro with the father and brother of one of the victims in attendance.

Akihiro Ito with Erica Stenta Willis, one of the interviewees in the film. (Photo by J.K. Yamamoto/Rafu Shimpo)

Ito and Matsuura were aspiring filmmakers who were attending Marymount College in Rancho Palos Verdes and planned to continue their studies at USC. Both had decided to study in the U.S. because of their love for American culture. But their careers came to a tragic end on the night of March 25, 1994.

After having dinner with friends in Gardena, the two stopped at a Ralphs supermarket in San Pedro on their way back to the campus. In the parking lot, they were carjacked by Raymond Butler, who shot both students in the back of the head and drove off in their Honda Civic. Their parents rushed over from Japan, only to be told that the boys were brain dead and there was no hope of recovery.

Hidehiko Ito with Kari Sayers, a Marymount College professor who appears in the film. (Photo by J.K. Yamamoto/Rafu Shimpo)

Butler was sentenced to death but remains in prison, where he has since been convicted of the murder of another inmate.

In “Lives Interrupted,” filmmaker and Marymount College professor Bruce R. Schwartz recounts the tragedy and its aftermath. Stunned students, faculty and administrators visited a makeshift shrine at the scene of the crime. The murders made headlines in Japan, prompting apologies from President Bill Clinton and U.S. Ambassador Walter Mondale and a letter of condolence from Steven Spielberg. The parents started a petition drive urging stronger gun control laws in the U.S. At Marymount, a film series was named in honor of Ito and Matsuura.

Schwartz interviewed former Marymount students who are still moved to tears when they recall the sudden and senseless loss of their friends, and traveled to Japan to meet Ito’s and Matsuura’s family and friends. He saw Ito’s bedroom, which has been maintained just as he left it. The investigators and prosecutors in the criminal case are also featured.

Regarding the killer, attitudes range from compassion from Ito’s mother, who notes that Butler came from a broken home, to a friend’s frustration that the death penalty has not been carried out.

Introducing his crew on stage after the screening, Schwartz choked up a little. “I get very emotional because I feel like these two boys were related to me,” he said. “After a while they become yours, and that’s how I felt when I made this film.”

Schwartz recalled, “I didn’t quite know what I was getting myself into when I made this film, what a monumental task it would be … Literally hundreds of hours of work, 50 hours of footage reduced to an hour and 26, so we had … seven or eight interviews that are not in the film.” He was able to fit the various components into a narrative structure divided into 11 chapters.

He thanked Akihiro Ito, Takuma’s father, for attending the screening. “He just arrived from Japan this morning. When I came back from Japan, I know how much jet lag I had. It took me almost a week to get over it … For him to come tonight and to have the energy to talk about this is a great honor to me.”

Father’s Statement

Accompanied by his second son, Hidehiko, Ito read a statement with Nobuko Yamazaki, the film’s line producer, providing English translation.

“Eighteen years have passed since the incident,” he said. “Takuma would have been 38 years old this year if he had survived. I think that he sees us now and that he is very glad that his short life is immortalized in this film …

From left: Thomas Broesma, illustrator; Alexander Hufschmid, cinematographer; Michel Pinto, editor; Rocky Davis, composer. (Photo by J.K. Yamamoto/Rafu Shimpo)

“When Takuma was a child, he enjoyed drawing. At the age of 7, he took an interest in movies and he proudly showed off his knowledge of famous directors such as Steven Spielberg and George Lucas. When he was a high school student, Takuma made a decision to study filmmaking in America, and he increased his efforts to study English. We respected his decision and approved his plan …

“On Aug. 16, 1993, he left for America with mixed feelings of hope and anxiety. Often Takuma wrote to us, telling us his life as a student at Marymount College was even more enjoyable than he had expected. He had met Go Matsuura and made many American friends. He told us not to worry, that he was living a meaningful life.

“Seven months later, the Japanese Ministry of Foreign Affairs called us to say that Takuma was gunned down by a gang member and that he was in critical condition. When we arrived in Los Angeles, we rushed to the hospital. We were shocked to see Takuma. Many times we called his name, but there was no answer. Takuma never opened his eyes again. We were devastated. He was killed by the guns in America, the country he loved so much.

“I still feel that sense of devastation, and I feel Takuma himself was devastated. His life ended just as he was pursuing his long-held dream. I wanted to turn this devastation into something meaningful. That’s why we began our petition for gun control.

“Today I’d like to thank all the people for remembering Takuma so dearly. At the same time, I sincerely hope that the tragedy of Tak and Go will not be repeated … Marymount College students … I hope you will pursue your dreams harder than ever.”

In the film, Hidehiko Ito, who is now an attorney for crime victims, says he visits his brother’s grave every day and talks to him.

Alexander Hufschmid studied film under Schwartz and served as the documentary’s cinematographer. “I’m at a complete loss for words … to communicate what this project meant to me … It was truly an unbelievable story. I loved how open and heartfelt and just committed to the truth Bruce was throughout the entire project, with every interview we did,” he said.

Michel Pinto, the film’s editor, admitted, “It was a little hard at first because to tell you the truth, I really didn’t feel much. I think in America we tend to become immune, you close your feelings because you hear of constant tragedies … After a while I began to feel a little bit more … I was able to understand the lives of these two young boys a little bit more, reading about them and talking to Bruce.”

Yamazaki noted that she was “totally ignorant” about the murders until she met Schwartz. Although she apologized for her lack of technical skills, which she said was “a great inconvenience” to the filmmakers, Schwartz praised her for providing all of the translations and subtitles.

Also on the stage were Rocky Davis, who composed the music, and Thomas Broesma, who did sketches recreating the incident. Broesma said visiting the Ralphs parking lot to prepare for the sketches was a strange experience, especially when he realized he had parked in the same spot as the victims.

The screening, which was part of the Ito-Matsuura Film Series, included the presentation of a congressional commendation to Schwartz by Rep. Janice Hahn “in recognition of bringing this story to light and in memory of Takuma Ito and Go Matsuura.”

For more information on the film, visit

The slain students’ names were prominently featured on the theater’s marquee. (Photo by J.K. Yamamoto/Rafu Shimpo)

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  1. Great article and wonderful to reconnect with you at the Warner Grand in San Pedro, J.K. Yamamoto. I was sooo surprised that you recognized me. Hope to see you again some time and read more of your articles.
    Best wishes,