In a photo from the University of Utah, Wat Misaka and his 1947 team who won the NIT championship – from left, Misaka, Fred Weidner, Arnie Ferrin, Vern Gardner and Leon Watson.

Rafu Staff and Wire Service Reports

Wat Misaka never seemed comfortable with the title of pioneer, never embraced the handle of trailblazer.

It was 1947 – the same year Jackie Robinson joined the Dodgers and broke baseball’s color barrier – when Misaka was drafted by the all-white New York Knicks of the Basketball Association of America.

“It was not a big thing. They didn’t make much of it,” he said.

He played a mere three games for the Knicks before being let go by the team, but his inclusion was the point at which pro basketball in the U.S. broke its own ethnic and racial barrier.

Misaka, who helped the University of Utah win the 1944 NCAA championship, died Wednesday at the age of 95.

University of Utah Director of Athletics Mark Harlan said Misaka’s legend extended well beyond the confines of the court.

“He was a part of the Utah teams that won national championships in the 1940s, but Wat was bigger than the game of basketball, blazing trails into places nobody of his descent had gone before,” Harlan said. “He was such a kind and thoughtful man and will be missed by so many.”

Born Wataru Misaka in Ogden, Utah, in 1923, he spent much of his childhood tooling around his father’s barber shop.

Like most non-whites in the area, he had limited opportunities to join mainstream sports teams because of his race. In spite of the discrimination, he earned a spot on the basketball team at Ogden High School and helped lead the team to a state champion¬ship in 1940.

During World War II, Misaka was among those who faced staunch anti-Japanese sentiment.

This portrait of Wat Misaka by Shane Sato appears in the book “The Go For Broke Spirit: Portraits of Legacy” and was part of an exhibit at the Japanese American Cultural & Community Center.

At the University of Utah, the 5-foot-7 Misaka was on the Utes team that went 18-3 in the 1943-44 season, and were invited to to compete in the NIT Tournament, considered the most prestigious college basketball event at the time.

After another team dropped out, Utah agreed to play in the NCAA Tournament, and beat Dartmouth, 42-40, in overtime to win the title.

Misaka was drafted during the war, serving for two years and reaching the rank of staff sergeant.

Upon his return to the Utes, he helped his team win the NIT championship in 1947.

His career with the Knicks was brief – he scored a total of seven points – yet he said he felt no bias or discrimination, and believed he was let go simply because the team had too many guards.

Misaka gives a speech during an event at the Japan America Theatre in Little Tokyo in 2009.

He rejected an offer to play for the Harlem Globetrotters, opting to finish school and earn a degree in electrical engineering.

He made his home in Salt Lake City, where he and his wife, Kate, raised two children.

In 2009, Misaka’s life and career were the subject of “Transcending: The Wat Misaka Story,” a documentary that puts his athletic career into context with the times and the tensions that anyone with Japanese ancestry faced in the 1940s.

Christine Toy Johnson, who directed the documentary with her husband, Bruce, said she was inspired by Misaka’s success despite often being the target of insults and racial discrimination.

“It’s just not in his nature to really talk about it, but to a lot of people it’s a barrier he broke and we really recognized the importance of that,” Toy Johnson said in a 2009 interview. “He’s just a humble guy, so he does shy away from attention a lot, and yet I think he is also happy that people are recognizing his accomplishment.”

“Wat was a person who was an achiever in all he did,” said Misaka’s Utah teammate Arnie Ferrin.

“He did so many great things such as representing the Japanese as an American citizen during the war. He was one of my best friends; in fact, we all should have a friend like him. I will miss him dearly.”

Misaka gives an autograph to young Easton Kishimoto in 2009. (MIKEY HIRANO CULROSS/Rafu Shimpo)

Fellow Utah resident and former JACL national president Floyd Mori spoke with Misaka on Tuesday and called him “My childhood hero.”

“He was a great example of commitment to good outcomes and his chief concern was the well-being of family and friends,” Mori wrote.

During a speech at Little Tokyo’s Japan America Theatre in 2009, Misaka said that he hoped to see more Japanese Americans excel in the college game, and to be more represented in the NBA.

Wat Misaka’s love of basketball continued throughout his life, and he occasionally shared his experiences with players at all levels, including NBA stars Stephen Curry and Jeremy Lin.

“I’ve been waiting 65 years for something like that to happen,” Misaka said at the time. “I think the game is so much different, especially the professional game, which has turned more toward entertainment than sport, whether that’s good or bad.”

Among the sellout crowd at that event was Dave Yanai, legendary retired coach of Cal State Dominguez Hills.

“To have younger people see this story told and to have Mr. Misaka still alive and be able to answer questions, it’s a wonderful thing,” said Yanai.

Misaka never lost his love of the game, and in recent years was occasionally spotted chatting and sharing his experiences with some of today’s NBA stars.

“When I played, the United States was the king; there was hardly any basketball played anywhere else,” he said. “I like to think that when we won our national championship, that we were not only national champions, but world champions. There just wasn’t any basketball played elsewhere that could come close to what we played in the U.S.

“But the game is going international now, and maybe that will make it easier for Japanese Americans to break into the American teams as well.”

More recently, Misaka returned to Little Tokyo to show his support for the Terasaki Budokan project.

Photographer Shane Sato, who published two collections of portraits of Japanese American veterans, noted that Misaka’s portrait is the first one in the second volume, “The Go For Broke Spirit: Portraits of Legacy.” An exhibit based on that book was recently displayed at the Japanese American Cultural & Community Center.

Sato said that he got to know Misaka over the past few years, “visiting him in Salt Lake City, and hearing his stories about basketball and bowling … He came out to Los Angeles to support my book and the SOLT (Straight Outta Little Tokyo) event in 2018, I will always be grateful for that and it was an honor to know him as well as take his portrait.”


Leave a comment

Your email address will not be published. Required fields are marked *